Brand

24 January 2011

Pitching Digital – The Line in the Sand

I have had cause to proposalate in the last few months. Proposalation is the line that, as an agency of repute, one draws just before dropping one’s drawers and taking it up the Mohave Desert. The ‘before’ part is an important distinction. Pitching is bullying in my mind and so it simply won’t compute. I hate dedicating the resources of the agency for no reward – we have clients who pay for such a service and there isn’t a credible reason I can give those clients for making them pay, and yet give others the same service for free, or ‘speculatively’, or for the ‘potential opportunity’, or however the hell you try to justify it. It’s simply unacceptable.

So, now that that’s clear, what have we got left? Well on the basis that the prospective client has equally staunch views on ‘sampling the merchandise’ and requires more than a lifetime of credentials, case studies, awards and testimonials because, you know, what if overnight you suddenly start delivering shit…? Well, that’s where the agency can proposalate – write a proposal, show an ankle, but whatever happens, keep the drawers firmly in place.

And so I have proposalated for the last few months – with mixed results. On the plus side, almost every client proposal has been approved and progressed towards something wonderful. On the down side, almost every prospect proposal has met with anxiety, procrastination and a nervous twitch.

I’ve learnt a few things in the last few months. The first, and probably the most important, is that in a difficult economic climate and in a rapidly evolving digital space, the trust of an existing client is far more valuable than the potential riches of an uncertain prospect. There are brands that are willing to embrace digital change and those that would prefer to produce the same old, same old in the vain hope that it might work this time (even if it didn’t work last time). No matter how compelling the proposal, nothing changes the basic fear of the unknown.

The digital space for B2B brands is currently one of chance – the chance to change, to do things differently, to evolve. The vast majority of the work that I am currently proposing simply hasn’t been done before. There are no case studies, there are no measures or benchmarks. That’s quite a hard sell for the traditional B2B prospect. Actually, it’s pretty difficult for an existing client, but the at least client has trust. The measures are therefore not what has been achieved for other clients, but ‘how much do you trust me?’ We’ve never done it, you’ve never done it, no one’s ever done it… but it’s cool isn’t it? Trust me. Spend some money on it and let’s see what happens… Like I said, a hard sell.

So I’ve learnt that I’m wasting my time speculating on prospect proposals. Digital brand strategy and delivery is too risky for the majority. Those closest to accepting and embracing change are already our clients so it makes sense to focus on them. They will become the case studies that the other laggards eventually follow.

It makes no sense to continue to educate the market in the art of the possible when the market makes little tangible investment in that process of evolution. They’re interested in it alright – it’s the interest that simulates the proposal in the first place. They’re even excited by the potential – “incredible… that’s amazing… can we really do that…?” Well, actually, no, you can’t, because you’re not prepared to pay for it and I’m getting tired of telling you while you jack-off in the corner.

That leaves a few, a happy few, a band of brothers. Whichever way I look at it, it’s still a hard sell. And so I’m going to stop proposalating. I have better things to do. For a start, I have some needles in a haystack to find. They’re out there, but I’m no longer going to try to write a proposal to find and convince them. Once they’ve narrowed their options, they’ll find me. We should all draw a line in the sand. Not in the Mohave Desert though.

Scot McKee
Managing Director
Birddog Ltd.
+44 (0)20 7323 6666

Follow Scot on Twitter

31/01/2011
Additional/Related information: Fast Company – The Future of Advertising

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Brand

20 December 2010

The Space Time Continuum

As B2B brands move painfully towards a digital future, I find myself having to slow down and go back to chivvy them all along – ‘back to the future’ you might say (yeah, I’ve still got it…). However hard I try, there is still a reticence on the client side to actually part with cash to ‘do’ digital. The extent of digital ambition on the B2B client side appears to be entrenched in ‘the website’, ‘emails’ and maybe some banner ads – all admirable pursuits, but oh so very tip of the iceberg. And mostly spam.

I’ve nodded patiently and sympathetically. I’ve been empathetic and encouraging. I’ve tried teaching and being supportive. I’ve even resorted to shoutery (which didn’t take too long if I’m honest…) but all seemingly in vain. Fortunately for all of you, I have discovered the answer – ‘The Space Time Continuum’.

The barrier to trial and adoption isn’t interest in the digital opportunity – there is no doubt brands are interested in social communications, community engagement, crowdsourcing, mobile interaction, cool shit generally – but when it comes to the sign-off crunch, there isn’t a budget to develop the digital activity from concept to reality. And so the opportunity is lost (if it ever truly existed in the first place). I begin the process again and talk to someone else about cool shit that they’re never going to implement. You can see how that might get annoying after a while I’m sure.

In trying to resolve the problem and remove the obstacle then, I have discovered that the B2B client almost always has a ‘space’ budget. A brand will happily spend inordinate and inappropriate amounts of cash on media space – traditional space in papers and magazines, and even digital space in banners and skyscrapers. Even when there is no direct evidence that the traditional advertising works, or worse, when banner clickthroughs definitively prove that the banner campaign essentially isn’t working, the business spends more money on space in the hope that it will come good in the end. Well, it won’t. Those days are gone. Not entirely and not even necessarily forever, but they’re gone inasmuch as the market has moved and the relative importance of the ‘space budget’ is considerably lessened. It’s taking the market a while to accept that. Denial is a particularly warm and cuddly blanket for the B2B market. Ineffectiveness and underperformance, however, can’t last forever – not even within B2B. At some (near) future point, the space race will become untenable and clients will seek an answer to the problem. You lucky, lucky, people – I have found the answer for you already.

The answer is not ‘space’ – it’s ‘time’. Traditional client budgets and the relative importance of activity needs to be shifted from ‘space’ to ‘time’ – the Space Time Continuum.

For 2011 then, I would encourage B2B budget holders to attach value to the ‘time’ part of the equation. Conceiving, developing and delivering the digital solutions to the challenges of brand engagement takes time. It’s an evolving landscape, so the solutions are often bespoke, untested and even unique. Allocating the time and the budget to explore the possibilities is increasingly important if brands wish to remain relevant to an ever more selective audience. The audience will decide where and when to engage with the brand. They will decide who to listen to and whose advice to take before making purchasing decisions. Adding more pages to your website is not the answer. Sending more emails is not the answer. Take some time to find an answer that is applicable to your audience in the context of their digital world.

The first step is to recognise that you’ll be investing in thinking time and not design time or space time. It’s a big shift, but there is value in the ability to conceive of a channel(s) and/or a tool(s) that will pull the customer towards the brand – and there may be little (if any) requirement for design or media. This may all be a bit uncomfortable for clients and agencies – but the customers have already made up their minds. Hello? McFly?

Scot McKee
Managing Director
Birddog Ltd.
+44 (0)20 7323 6666

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Brand

23 November 2010

User Journeys

I know a reasonable amount about the language of brands, but I’ve had to learn a whole new digital language in the last couple of years. Haven’t we all? It’s a language riddled with three letter acronyms (TLAs) and a host of almost meaningless mumbo jumbo that eventually makes sense when someone explains what’s going on – SEO, UCD, MMR, content aggregation, social advocacy… and, my favourite – ‘User Journey’. Yes, user and journey are both English words and yes, the couplet makes sense to me now in the context of digital delivery. But it didn’t for a while.

‘User journey’ didn’t make sense to me, for example, when everyone was jacking off to the sound of their own voices proclaiming themselves to be the latest ‘guru’ of the ‘social landscape’. User journey meant very little to me when I watched Twitter users with nothing to say attract thousands of followers. And user journey meant absolutely nothing as I sifted case studies and articles of meaningless bollocks in the vain hope of enlightenment. And while I persevered with this alien new language, ‘user journey’ meant the sum total of naff-all until I heard from a user who had, perhaps unsurprisingly, taken a journey…

Initially, I simply received a website enquiry form. So far, so good. A prospective client outlined his need for a new brand strategy and supporting website. A Request for Proposal document was about to be signed-off and the prospect was enquiring whether I would like to submit a response to the RFP.

I said, “no”. I didn’t say, “no, stick your RFP up your ass”, which is my usual response to large corporates expecting small agencies to have the speculative resources of large corporates. In fact I offered an uncharacteristically polite ‘no’ because the company simply didn’t have the budget available to engage our services. So I declined the RFP, explained the typical entry-level budgets required and thanked the enquirer for considering us. That, ordinarily, would be that. And then I received this email:

“Hi Scot,
Many thanks for the reply. I was unsure of exactly where the budget may fit with you and was slightly worried that it may be light. I appreciate you clarifying the guide costs. Hopefully in the future we will be able to work together on creative campaigns.
For your own info I thought you may like to understand my Birddog journey;
1.       Introduced to your brand by a colleague.
2.       Regular visits to your website.
3.       Discovering your blog.
4.       Following you on Twitter.
5.       Twitter led directly to more consumption and laughing with your blog.
6.       Twitter then directly led to me buying your book. You said something like, “if you want more buy the book,” and, like a sheep, I did.
7.       Now I have changed jobs and have a bit of a budget you received a direct enquiry.”

Well. Hold me down and feed me whipped pudding till I scream. This is a ‘user journey’ across traditional, digital AND social media that clearly took several years. I was suitably impressed and I said so. Actually, what I said was, “Holy shit, that’s amazing!”, and was then delighted to find that the journey wasn’t over yet…

“Hi Scot,
I should tell you that my girlfriend has also read your AMAZING book and loves it. She mentioned it to her boss and in particular the comment about, ‘I want to lick an iPhone’ or words to that effect. You have another reader based on that one comment alone. It’s  doing the rounds now.”

User journeys aren’t about a single website visit. And they’re not about understanding a new digital language. They’re about the years of travel up to the point of contact, they’re about the experience the visitor will have in the years that follow and they’re about how the experience will be communicated to a wider audience on and off line. In other words, user journeys are about… brands. The journey continues.

Scot McKee
Managing Director
Twitter

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Brand

13 November 2010

Underestimating social media; a recipe for disaster

Hell, it seems, hath no fury like a woman plagiarised. That is, a woman plagiarised, with the majority of the internet on her side. Here is a long and evolving story as short as I can possibly make it:

On Wednesday last week (3rd November), Monica Gaudio, a food/crafts writer in the United States, blogged on her personal LiveJournal site that an article on apple pie recipes, which she’d written in 2005 and copyrighted as such on a web domain that she owns, had been reproduced in the October 2010 issue of the advertiser-funded, for-profit Cooks Source Magazine, without her permission.

Monica emailed the Cooks Source editor Judith Griggs asking for an apology to be posted on the magazine’s Facebook page, and a donation of $130 made to the Columbian School of Journalism. Said editor replied in the negative, saying that Monica should have been grateful for the exposure, and that since she’d had to edit the piece before publishing it (unlawfully), Monica should actually pay her. The editor then proceeded to trumpet her three decades’ experience as an editor that had given her sound knowledge of copyright law, before stating triumphantly (and quite wrongly) that the ‘web is a public domain’ and therefore the magazine had done nothing wrong.

It had, of course. And how: by Friday morning, the story had gone viral and global. Hundreds of people commented and continue to comment on Monica’s blog; thousands more have linked to it. Twitter went into overdrive; influential bloggers drummed up their support. The obligatory ‘Hitler Reacts’ YouTube video was made. The magazine’s Facebook page (which has now been deleted) became swamped with several thousand comments, each one increasingly vitriolic. Someone even wrote a song. Overwhelmed by the response, the Cooks Source website was taken down for several days.

All this gives you a very bad rep if you’re a brand. But reputations can be managed if you act quickly. Cooks Source and more specifically Judith Griggs failed to do so, and as a result, it is more than their reputation that has taken a hit since this story went around the world: several advertisers have removed their business from the magazine.

To summarise all that, since it is quite extraordinary: one hopelessly misjudged email (and rather foolish rudeness on the individual’s part) has cost a magazine – a business like any other – a chunk of its revenue. And as the magazine is distributed for free, that revenue stream is especially important.

Is it only a matter of time before big business slips up too? After all, this is a saga with potentially scary implications. Social media publicity nightmares are well documented (GAP last month a case in point), but here now is an instance of tangible financial loss directly attributable to social media vilification. Granted, Cooks Source has nowhere near the PR muscle or corporate size to simply absorb such a mass online condemnation, but as what has happened makes clear, this modern form of virtual justice often bears little relation to the magnitude of the crime, regardless of who committed it.

It appears that the magazine was simply not au fait with how the increasingly social internet has brought a “fundamental shift in power between publisher and reader”. When Ms Griggs sent that snide email to a seasoned blogger, it is unlikely that she would even have considered the consequences. Her magazine was left like a sitting duck, unable to defend itself from an internet on a righteous rampage.

The Cooks Source website now carries a lengthy statement that, among other things (including a bewildering indictment of Facebook and an attempt to absolve themselves from full blame), does at least offer an apology to the wronged blogger. But it is now too late – the damage, to their business and their brand, has been done. If lessons such as these aren’t learned from, this won’t be the last time the social internet claims a victim.

Tim Miller
Content Editor

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Brand

27 October 2010

The Business of a Top 100 Brand

For the last decade, Interbrand has been producing an annual report on the top 100 ‘Best Global Brands’. It makes interesting reading. It doesn’t make truly compelling reading though, and it doesn’t offer much in the way of deep insight. Perhaps that’s to be expected – it’s the nature of the beast. When you’re looking for trends across 100 global brands it’s no real wonder that the common ground ends up being generic.

It’s a bit like the ‘Top 100 TV Moments’, and the ‘Top 100 Movie Moments’, and all the other ‘Top 100 Moments’ that exist as TV scheduling fillers. Whilst the journey through the respective ‘Top 100 [insert filler of your choice]’ can be an interesting one, you can be fairly certain that your personal favourite isn’t going to be number one. It is a source of constant disappointment to me, for example, that the angelic harmonising of the Von Trapp Family in the classic Sound of Music never actually makes it to number one anywhere except in my dreams.

And so, because we all kind of knew the report findings this year – the economy’s in the shitter, the financial brands have taken a pasting, no one trusts anyone anymore, social media and the digital landscape’s a bitch and none of the big brands really know how to deal with it globally… – I thought it might be helpful to offer an additional insight from Interbrand’s work that may offer some hope to the B2B community.

Seven of the Top Ten Global Brands achieve a significant proportion of their revenues from the B2B sector. Seven. Of the top ten. B2B.

I thought that was pretty impressive for the Business to Business market. IBM, Microsoft, Google, General Electric, Intel, Nokia, HP – they’re all big B2B players. Using Interbrand’s statistics, they have a combined brand value of over $300bn. That means those seven B2B brands in the Top 10 have a higher brand value than all the other B2C brands in the Top 20 combined ($271bn). Not too shabby.

So whilst we’re all scrabbling around in the muck and bullets of day-to-day B2B marketing life, it’s worth remembering that we have a significant pedigree to live up to. The next time someone tells you that ‘brands’ are things they buy in supermarkets, just remind them that, actually, the top brands are mainly B2B. (Then sniff the air, turn on your heel and exit leaving only a ‘talk to the hand’ gesture for them to remember you by…)

Scot McKee
Managing Director
Twitter

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